Monday, August 17, 2009

Five Creepiest Sex Scenes in Comics


Cracked.com posted an article with the title "Five Creepiest Sex Scenes in Comics" and we can attest to the fact that the selection was spot on. When we read the summaries and looked at the accompanying pics we just winced. It left us wondering what kind of expansive library Juan Arteaga the author of the article has access to and how long it took to trowel through the collection to come up with the shortlist. Here are the Top 5:

#5: Superman's Sex Tape
#4: The Only Way to Save the Dinosaurs is Rape
#3: Astro Boy's Anal Fixation
#2: The Avengers are Totally Okay with Incest Rape
#1: Giant Vaginas Everywhere

As the writer of the article puts it:
Comic book artists have been smuggling giant vaginas into comics for quite a long time. Usually by drawing things that are not vaginas but have the shape of vaginas. 
It made us think of what artists have hidden penises in their artwork and we remembered the case of the "Penis in the Underwater Castle Spire" picture on the original video release of Disney's The Little Mermaid (Jozef actually has a copy of this at home in his collection). You can read about the "Palace with the Phallus" here and gawk a the pics. 

By the way, the giant vagina above in the shape of an interdimensional gate comes from the pages of Hawkgirl. More hidden comics vaginas at cracked.com.

Tuesday, August 11, 2009

Just Another Face in the Crowd?

My artwork of "The Queen of Sheba" stands amongst a group of Aristocrat characters advertising its Graduate Program: "A WORLD OF ENTERTAINING CAREER OPTIONS!". I also assisted on the skin toning and face of the merman in the same image.

Elf~Fin Leaks & Peeks 9


Here's a pic of Kraygon (the Elder) with Hyfus from the upcoming Elf~Fin: Hyfus and Tilaweed

Elf~Fin Leaks & Peeks 8



Here are some more tantalising glimpses from Issue #1 of Elf~Fin: Hyfus and Tilaweed. The characters in the pics are Razbi and Jayshu, plus a whole bunch of Tiny~Fin.

Friday, August 7, 2009

Arts Law Centre of Australia Legal Information and Sample Letters

The Arts Law Centre is the national community legal centre for the arts in Australia and has a veritable treasure trove of legal information and legal letter templates for creative people working in the Arts. As a starting point check out the Legal Information Page where you can access a Copyright Infringement Letter of Demand, Moral Rights Infringement Letter of Demand, Sample Confidentiality Agreement (also known as Non-Disclosure Agreements), and a whole list of other material from Defamation, Indigenous Legal Issues, Contracts, Wills, and Legal Issues for Bloggers. You can become a subscriber and get access to advice and information on law and the arts, receive the quarterly newsletter Art+law which examines creator issues, get discounts on publications and seminars, obtain ongoing legal advice and assistance, as well as access to legal resources such as mediation services – all for $99 for individual artists/students. 
.

Thursday, August 6, 2009

The Art and Craft of Comics Lettering


Came across a great online interview this morning with comics letterer Thomas Mauer who resides in Germany but who works predominantly on American comics. We have a love of fonts and a great respect for the art of lettering and this article reveals Mauer's process and gives advice and tips to professionals and non-professionals alike. Mauer says (and we know this to be true because we've been distracted by bad lettering on books):
Lettering is supposed to be like the musical score in a film, guiding the reader across the page, but being invisible in the grand scheme of things. If you don’t notice the lettering, the job is well done. This means that the style has to fit in with the artwork.
Check out: Christian Beranek's Life of High Adventure #11: Interview with Lettering Samurai Thomas Mauer. The artwork is from "The Bounty Killers" story in the Outlaw Territory Volume 1 anthology (story by by Steve Grant and art by Shannon Eric Denton and John Cboins published by Image).

Tuesday, August 4, 2009

"That's Good Enough!" – The Sloppy Side of Convention Sketches

While attending Supanova Melbourne this year, I met an Australian artist in Artists' Alley who focused on fantasy art. This artist was selling self-published items like A4 prints and bookmarks at her table. I would describe the artwork as the work of a "talented amateur". When I looked through them I was (quite naturally!) attracted to three mermaid illustrations. I decided to be supportive and purchase an A4 print of the one I liked the best (reasonably priced at AUS$10). As I also collect original mermaid sketches and get the artists to sketch them directly into my sketchbook, I asked this particular artist if she could do the same. There was no convention sketch pricing listed on the table, but she responded by saying that the price was $25 for a sketch. A little steep for a non-professional, I thought, but nevertheless I was enthused and so I agreed to the price. 

The artist then began sketching and before I knew it she proclaimed, "That's good enough!" and then handed the sketchbook with some distain back to me with a piece of unfinished artwork. I was quite surprised and taken aback at the dismissive attitude she had to the actual drawing – or should I say – lack of drawing. As she was asking a rather inflated price, I expected some element of professionalism and effort extended towards me and in the quality of creative care endowed into the sketch. This did not happen.

I had better experiences with other artists for the remainder of the convention, and was happy to purchase other mermaid sketches from locally- and internationally-published professionals – none of whom charged me more than AUS$10 when the pieces were quite obviously worth considerably more. I even received a few gifted/free sketches (from artist friends) at the convention. Each of these artists took pride in their work, and you could see that they were never dismissive about the quality of their work.

As an artist who has done convention sketches in the past (free up to now), I understand that the experience of doing a live sketch with the "purchaser" watching you is a keenly intimate shared moment. "You" (the artist) are doing this for "them" (the purchaser), and  as the artwork is born with every sketched line, the purchaser takes on some ownership and pride that this artwork is being created specially and specifically for them (which it is), especially when a crowd is watching the work being realised. A sloppy attitude and sloppy artwork creates a very negative experience for the purchaser, especially when money is involved.

I guess I should have been forewarned seeing that this artist was a "talented amateur", and that "amateur" was inclusive of all aspects of the work and how the artist interacted with her customers.